Freeform Jazz merchant 'Le Enfant Terrible' specialises her sound on a basis which parallels pseudo-German electronica with experimental jazz chords.

Her debut album, 'Juhukan' encourages the unconventional to copulate with the unlistenable in a result to slowly remove boundaries such as the vulnerablity of the 'mise-en-scene' the listener may stem from during the course of listening.

The follow up album 'Hachabrim' sees her 'experiMENTAL' side in full bloom. Songs that have been beautifully crafted from the melodies of glass and metallics are bathed in the same bathwater as intensely challenging rhythms that work on the same {il}-logic of 33 cats caught between tractor blades. However, some of her most 'commercial' stuff can be found on this album, such as the hugely popular "glas.1so-drnk" and the slick jazzy number "j.z".

Both albums are certainly not for the feint at heart - these were not made for the conventional Westlife fan, they were made for the serious music listener, with a passion for adventure and an obsession for evoking what breeds amongst the dark labyrinths that form the foundations of the mind.

L.E.T. recently released a third offering, you can make up your mind whether or not it is a single or and album. This time just one song that lasts 66 mins 33 seconds, the track - "tewm.i" and the album bizarrely titled - ":¬)". The idea behind is that it is in fact a soundtrack to a film that is directed by you in the listener's head, ideally designed for you to switch the lights off, lie back in bed and action...

A 4th album is in the pipeline, this time promising to be her most unlistenable, but at the moment, Le Enfant Terrible is currently working with Damir Bojanic producing "The Umbrella Man" series, a set of short videos using snippets of music from both artists amongst 'random imagery'.